Nuwa: The One Who Repairs the Sky

Ten gods born from her body

Published July 8, 2026 · By Oriens

1 related philosophical concepts
42 cards in Classic of Mountains and Seas

有神十人,名曰女娲之肠,化为神,处栗广之野,横道而处。

yǒu shén shí rén, míng yuē nǚ wā zhī cháng, huà wéi shén, chǔ lì guǎng zhī yě, héng dào ér chǔ.

There are ten deities. They are called the intestines of Nuwa. They transformed into gods and dwell in the wilds of Liguang, lying across the road.

— Shan Hai Jing · 大荒西经, 有神十人,名曰女娲之肠,化为神,处栗广之野,横道而处。

There are ten deities. They are called the intestines of Nuwa. They transformed into gods and dwell in the wilds of Liguang, lying across the road.

The Shan Hai Jing entry on Nuwa is almost absurdly brief: her intestines became ten gods and now they lie across a road in a place called Liguang. That is it. No sky repair. No human creation. No grand mythology — just guts that became gods, blocking the way. The full Nuwa narrative grew across centuries of texts, but this fragment is something rawer: a body does not disappear.

There are ten deities. They are called the intestines of Nuwa. They transformed into gods and dwell in the wilds of Liguang, lying across the road. This entry comes from the Shan Hai Jing · 大荒西经, part of the Shan Hai Jing — the Classic of Mountains and Seas, China's oldest surviving compendium of mythological geography. Nuwa's presence in the Shan Hai Jing is strikingly minimal compared to her later stature as one of Chinese mythology's central creator deities. The 'Great Wilderness: West' section records only that her intestines transformed into ten gods who dwell in the Liguang wilderness, lying across the road — an image that is bodily, visceral, and almost absurd. This fragment predates the better-known Nuwa narratives: the repairing of the broken sky with five-colored stones, the creation of humans from clay, the ordering of the calendar. The Shan Hai Jing captures Nuwa at the mythic root: a body does not end. The creature or figure described here belongs to a cosmological framework where every mountain, river, and being has a specific place and function. This text does not distinguish between what we would call natural and supernatural — both are simply part of the landscape. The being's powers, whether protective or dangerous, are intrinsic to its nature, not moral attributes. Later Chinese and East Asian traditions transformed many Shan Hai Jing figures into characters of fiction, drama, and popular religion. The Shan Hai Jing entry on Nuwa is almost absurdly brief: her intestines became ten gods and now they lie across a road in a place called Liguang. That is it. No sky repair. No human creation. Here, grand mythology — just guts that became gods, blocking the way. The full Nuwa narrative grew across centuries of texts, but this fragment is something rawer: a body does not disappear. The original text, however, gives us something more raw: a being whose meaning depends on how you encounter it, not on what later stories made of it.

Further Reading

山海经

Classic of Mountains and Seas

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