Fusang: The Sun Tree
Where ten suns rest between the days
Published July 8, 2026 · By Oriens
下有汤谷,汤谷上有扶桑,十日所浴,九日居下枝,一日居上枝。
Below is the Valley of Hot Springs. Above the valley grows the Fusang tree, in which the ten suns bathe. Nine suns dwell on the lower branches. One sun dwells on the upper branch.
— Shan Hai Jing · 海外东经, 下有汤谷,汤谷上有扶桑,十日所浴,九日居下枝,一日居上枝。
Below is the Valley of Hot Springs. Above the valley grows the Fusang tree, in which the ten suns bathe. Nine suns dwell on the lower branches. One sun dwells on the upper branch.
Fusang is a rest stop for suns. Nine of them hang in the lower branches, recovering from their last journey. One is on the top branch, about to begin. This is not science. It is domestic life on a cosmic scale — laundry day for stars, a dormitory for light. The tree does not create the suns. It holds them.
Below is the Valley of Hot Springs. Above the valley grows the Fusang tree, in which the ten suns bathe. Nine suns dwell on the lower branches. One sun dwells on the upper branch. This entry comes from the Shan Hai Jing · 海外东经, part of the Shan Hai Jing — the Classic of Mountains and Seas, China's oldest surviving compendium of mythological geography. Fusang — also called Fumu or the Sun Tree — is the arboreal heart of early Chinese solar mythology. The Overseas Eastern Classic describes it growing in the Valley of Hot Springs (Tanggu), where the ten suns — each ridden by a crow — take their turns. Nine rest on the lower branches while one rises to the top branch to begin its journey across the sky. The image combines the domestic with the cosmic: the tree is functionally a hostel for celestial bodies. The creature or figure described here belongs to a cosmological framework where every mountain, river, and being has a specific place and function. This text does not distinguish between what we would call natural and supernatural — both are simply part of the landscape. The being's powers, whether protective or dangerous, are intrinsic to its nature, not moral attributes. Later Chinese and East Asian traditions transformed many Shan Hai Jing figures into characters of fiction, drama, and popular religion. Fusang is a rest stop for suns. Nine of them hang in the lower branches, recovering from their last journey. One is on the top branch, about to begin. This is not science. It is domestic life on a cosmic scale — laundry day for stars, a dormitory for light. The tree does not create the suns. It holds them. The original text, however, gives us something more raw: a being whose meaning depends on how you encounter it, not on what later stories made of it.