Qingqiu: The Green Hill
Where the nine-tailed fox makes its home
Published July 8, 2026 · By Oriens
又东三百里,曰青丘之山。其阳多玉,其阴多青雘。有兽焉,其状如狐而九尾。
Three hundred li further east is the mountain called Qingqiu. Its southern slope has much jade. Its northern slope has much green pigment. There is a beast here shaped like a fox with nine tails.
— Shan Hai Jing · 南山经, 又东三百里,曰青丘之山。其阳多玉,其阴多青雘。有兽焉,其状如狐而九尾。
Three hundred li further east is the mountain called Qingqiu. Its southern slope has much jade. Its northern slope has much green pigment. There is a beast here shaped like a fox with nine tails.
The most famous creature in Chinese mythology lives on a specific hill — Qingqiu — whose description is almost entirely geological: jade on the sunny side, green mineral pigment on the shady side. The extraordinary lives inside the ordinary, and the Shan Hai Jing makes no distinction between a report on mineral deposits and a report on a nine-tailed fox. Both are true. Both are here.
Three hundred li further east is the mountain called Qingqiu. Its southern slope has much jade. Its northern slope has much green pigment. There is a beast here shaped like a fox with nine tails. This entry comes from the Shan Hai Jing · 南山经, part of the Shan Hai Jing — the Classic of Mountains and Seas, China's oldest surviving compendium of mythological geography. Qingqiu appears in the very first chapter of the Shan Hai Jing — the opening lines of the Nanshan Jing — and immediately establishes the book's signature tone: empirical geography next to mythological zoology with no distinction in register. The entry notes the mountain's mineral wealth — jade on the southern face, green pigment on the northern face — and then, in the same breath, records the existence of the nine-tailed fox. It does the same for other creatures on the mountain, listing them as local fauna alongside the geological survey. Qingqiu is not a 'mythical location' in the text's own terms — it is a mountain at a specific distance east from the previous mountain, with a describable ecosystem. The creature or figure described here belongs to a cosmological framework where every mountain, river, and being has a specific place and function. The text does not distinguish between what we would call natural and supernatural — both are simply part of the landscape. This being's powers, whether protective or dangerous, are intrinsic to its nature, not moral attributes. Later Chinese and East Asian traditions transformed many Shan Hai Jing figures into characters of fiction, drama, and popular religion. The most famous creature in Chinese mythology lives on a specific hill — Qingqiu — whose description is almost entirely geological: jade on the sunny side, green mineral pigment on the shady side. The extraordinary lives inside the ordinary, and the Shan Hai Jing makes no distinction between a report on mineral deposits and a report on a nine-tailed fox. Both are true. Both are here. The original text, however, gives us something more raw: a being whose meaning depends on how you encounter it, not on what later stories made of it.